Happy endings (no, not that sort. Although mentioned.)

“If you want a happy ending you have to decide where to stop your story – Orson Welles”

I am slightly addicted to twists whether I’m writing a whodunit, a microstory, or any of the other ways in which I kowtow before my muse. The one on the drawing board has several twists. There’s one, though, which turns the whole story from a slightly OTT love story (the alert reader is already saying hang on just a minute) to a slightly creepy stalker story, to abrupt terror. In two paragraphs it goes from mildly steamy (and wildly romantic) to chilling, and I didn’t even plan it that way. I love it, though.

Hence the Orson Welles quote. I could literally stop the story at its happy point and leave most of its readers contented.

Not going to, though. The book in question (and I only say this because I am personally annoyed by dangling hints and coy half-references) is still in process,  The Money Honey, and it’s odd in many ways.

Only once before have I had a young protagonist*, because I find mature characters much more intricate and interesting, but Miranda’s story starts when she’s around twenty, in 1996, and the reader follows her for the next twenty years.

She only came into existence because she’s a large part of the backstory for Seventeen Eighteen Past Lies Waiting, which is being published soon. I wrote her story separately, to get it clear in my head, and then I got engrossed in the challenges it presented. I hadn’t a clue who my target reader was, but sometimes books take on a life of their own and this is one.

There was tons of rewriting for Seventeen Eighteen, as it happened, but the beta readers who have now read both books were pretty positive in their feedback. However, the beta readers who only read Money Honey weren’t. They found the ending, with its sudden introduction of a bunch of amateur sleuths from the Lawns, thoroughly confusing.

By the time that feedback was trickling in, I quite liked my Money Honey but I could see their point, as a stand-alone book she would need an ending of her own. So I borrowed from a few other authors faced with similar situations, and Money Honey has three endings.

Miranda’s whole story is about the unorthodox choices she makes (the working title was Step By Step) so it felt right to let those readers who have engaged with her make the final choice for her.  They will choose whether she calls an old friend for help, which is where Seventeen Eighteen came into the picture – or whether she tackles the situation herself, the way she’s always done – or whether the original storyline from Seventeen Eighteen holds true, but this time she and her son take on the challenge together.

No confusion there, then.  grin

It really has been a very challenging book, I’ve put it aside at least five times and every time it has come yammering after me demanding attention. She’s so unlike any of my other characters, and so very in need of a happy ending.

And yes I know the other meaning of that phrase. In fact that’s why Money Honey is going out under the Clarissa name, not EJ Lamprey. Lots of happy endings, and never, it seems, one for her.

Seventeen Eighteen has finished its rewrites, gone off for editing, started its countdown, and will be out shortly. Oh, and one other oddity – they share the same cover photograph. Slightly different cropping, a lighting difference, but the same photograph. I’m not being cheap, I’m not even being Scottish and practical, I simply couldn’t decide which cover to use it on. It feels right to have it on both.

 

 

*Lucy, in Time Before Time, by Joanna Lamprey

 

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Totally loca

I spotted P, almost inevitably, on line – I mean you know me, cruising the websites, self-proclaimed champion of the autumn rose, the mature single woman –

Well, I don’t mind saying I did a double-take. Wow.  I laughed out loud. I looked again. I read the provided description greedily. I sent the link to my buddy in Spain, mourning the lack of photographs, there were only four. Lovely buddy in Spain promptly found P on another website and sent back 20 photos.

Oh

My

Word

P is gorgeous. Older than I’d normally have gone for, must be said, and absolutely crying out for some TLC, but “wow” factor second to none.

I sent a message email immediately and a hectic exchange of emails followed and, since I was about to visit lovely buddy in Spain, a meet was set up. I could hardly wait – and it was as good as I had hoped, better.  This was love across a, well, must be said, totally empty atrium, but at first sight.

Hard to know what P makes of it all, of course, since P is a large 200-hundred-year-old traditional Spanish townhouse, standing forlornly empty in a narrow re-paved street in the heart of a town stretching back to Moorish influence , between and opposite very beautifully refurbished houses. The P is short for Palabras – Casa de Palabras, House Of Words – because as I wandered starry-eyed through room after room (many of them leading only into each other) (Spanish houses mix up the generations and who needs privacy when you share with family?) the peeling flaking plaster faded away, the spacious empty rooms furnished themselves and P turned into a creative retreat for writers, artists, kindred souls. The faded tiles bloomed again and the hand-painted vivid green ones became more of a feature, less of an eye-sore. The weeds pushing through the cracks in the terrace modestly vanished.

Out of the twelve existing rooms (one a smokehouse for Spanish hams because, you know, every house needs one) my private quarters appeared, and four guest-house suites built themselves in my mind’s eye. Lovely buddy was a building contractor before taking early retirement in Spain and cautiously poked, prodded, frowned, shrugged, and said the house would outlast me and yes, my plans would work. So what if six of the rooms lead only into each other? Two would convert easily into bathrooms behind dividing walls creating short passage-ways. The only rotting roof timber wasn’t a support beam, so it was easily replaced. The dream could be . . .

Before I took my leave, that first time, my legs a little shaky with shock, I had nearly exploded my camera’s memory with hundreds of photographs.

I’ve fallen in love a couple of times over the years but nothing like this. Wow.

I’ll tag these blogs ‘Palabras’ so they can be followed, or avoided, but – could it be forever? Have I the energy, the sheer passion, to follow through? Hell yes. Structural surveys are happening. Currency brokers have been appointed. Future plans for earning a living (I’ll be happy if the guest-house suites support Palabras itself, anything extra would be a cherry on top) are fizzing. Baby steps are being taken when I want giant strides, but inch by inch life with P moves a little nearer.

Yeah, having read this far you probably want a photograph. Thing is, I saw with the eyes of love and fervent imagination. Believe me, I’m already taking some flak. You should just hear my very sensible daughter on the subject.  You’ll see faded and forlorn and what-on-earth-house has windows into its own atrium? But I did set up a Facebook page and I am likely to be a bit of a bore over the next few months.

Oh, and I need to sell my house in Scotland. Now. You want a compact two bedroomed townhouse with small west-facing courtyard, about as unlike Palabras as can be imagined? Call me.